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Charles BlackmanSchoolgirls

“…some of the most memorable and original works to appear in Australian art in the early 1950s”
Sasha Grishin, The Conversation

Charles Blackman’s compelling Schoolgirls series, produced between 1952 and 1955, marked a turning point in the artist’s career, establishing his reputation as a significant painter of modern life in the postwar era. Through his evocative depictions of uniformed, often solitary schoolgirls in urban settings pervaded by menacing undertones, Blackman explored the themes of alienation, vulnerability and innocence under threat. He derived inspiration from a range of sources, including the notorious murder of a young girl in Melbourne, modern literature on the theme of adolescence, the lyrical poetry of John Shaw Neilson, and direct observations of children interacting in the city streets. Painted in tempera, enamel and oil on board the Schoolgirl images are rich in psychological power. After they were first exhibited at Peter Bray Gallery, Melbourne in May 1953, Heide founders John and Sunday acquired several examples, reinforcing their position as the first major collectors of Blackman’s work.

Today the Schoolgirls are dispersed across public and private collections in Australia and abroad. This exhibition brings together for the first time more than fifty major paintings, including key works created in tandem with the series, and displays them alongside related drawings, prints, rare three dimensional pieces and original archival material from Heide’s extensive Charles Blackman papers.

When
4 March – 18 June 2017
Location
Heide Galleries
Curator/s
Kendrah Morgan

Charles Blackman, Prone Figure, 1953, enamel on hardboard, 79 x 93.5 cm, purchased from John and Sunday Reed 1980, © Charles Blackman

Charles Blackman, Prone Figure, 1953, enamel on hardboard, 79 x 93.5 cm, purchased from John and Sunday Reed 1980, © Charles Blackman

Charles Blackman, June, 1953, tempera on muslin on cardboard, 63.5 x 75.6 cm, bequest of John and Sunday Reed 1982, © Charles Blackman

Charles Blackman, June, 1953, tempera on muslin on cardboard, 63.5 x 75.6 cm, bequest of John and Sunday Reed 1982, © Charles Blackman

Charles Blackman, The Shadow, 1953, tempera on cardboard, 59 x 75 cm, purchased from John and Sunday Reed 1980, © Charles Blackman

Charles Blackman, The Shadow, 1953, tempera on cardboard, 59 x 75 cm, purchased from John and Sunday Reed 1980, © Charles Blackman

Charles Blackman, Schoolgirl maquette for Schoolgirl Ballet Project, 1955, brush and coloured inks on paper, 27 x 18.5 cm, bequest of John and Sunday Reed 1982, © Charles Blackman

Charles Blackman, Schoolgirl maquette for Schoolgirl Ballet Project, 1955, brush and coloured inks on paper, 27 x 18.5 cm, bequest of John and Sunday Reed 1982, © Charles Blackman

Installation view, Charles Blackman: Schoolgirls, photograph: Christian Capurro

 

Installation view, Charles Blackman: Schoolgirls, photograph: Christian Capurro

 

Installation view, Charles Blackman: Schoolgirls, photograph: Christian Capurro

 

Installation view, Charles Blackman: Schoolgirls, photograph: Christian Capurro

 

Heide curator tracks down Charles Blackman’s Sleeping Schoolgirl for exhibition
Andrew Rogers, Manningham Leader, 9 January 2017

Missing girl needed for Schoolgirl Reunion
Emma Clark Gratton. Artshub Australia, 11 January 2017

Charles Blackman’s Schoolgirls at Heide: Visions of innocence cast into darkness
Kerrie O’Brien, The Age, 3 March 2017

Charles Blackman’s Schoolgirls are reunited
Tiarney Miekus, Art Guide Australia, 3 March 2017

Charles Blackman’s Lost Girls
Will Cox, Broadsheet Melbourne, 7 March 2017

The schoolgirls of Charles Blackman – haunting works from a politically innocent age
Sasha Grishin, The Conversation, 26 April 2017

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