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Call of the Avant-GardeConstructivism and Australian Art

Gunter Christmann, Red/Green Cross, 1966, oil on composition board, 122 x 122 cm, Purchased 1992

For more than one hundred years, artists have drawn inspiration from the early twentieth-century avant-garde movement Constructivism. Its abstract forms, utopian ideals and vision of art’s vital role in constructing a new society have continued to act as a beacon for artists of successive generations in many countries. This extensive survey of over seventy artists explores how Australian artists have responded to this ground breaking modernist movement and its enduring call upon their imaginations from the 1930s to the present day.

A remarkable artistic experiment arising out of the social and political ferment of the Russian Revolution of 1917 Constructivism challenged the idea of the work of art as a unique commodity, explored more collective ways of working, and sought to integrate art into everyday life. Its newly invented language of abstract forms was first seen as early as 1913 in the works of Vladimir Tatlin, Alexander Rodchenko, and Varvara Stepanova among others, and in the paintings of Kasimir Malevich who founded the distinct but closely related movement of Suprematism. The influence of these movements spread to Europe and Britain becoming more broadly known as International Constructivism, and even further afield to Australia, generating local variations in each place.

Starting from the early influence of British constructivism on Australian painters and sculptors of the 1930s, 1940s and 1950s, the exhibition traces a growing awareness of Russian Constructivism among artists of later generations through to contemporary times. In keeping with the Constructivist impetus towards an integration of ideas across all the art forms, the display will include painting and sculpture, video and photography, the graphic arts as well as theatre and costume design by visual artists.

Works by Australian artists Ralph Balson, Frank Hinder, Inge King, Gunter Christmann, George Johnson, Robert Owen, Rose Nolan, Justene Williams and Zoë Croggon, among many others will be shown alongside those by key proponents of the original movement, such as Russian artists Rodchenko, Malevich, El Lissitzky and Alexandra Exter from Russia, and British artists Ben Nicholson and Barbara Hepworth.

When
5 July – 8 October 2017
Curator/s
Sue Cramer and Lesley Harding

Gunter Christmann, Red/Green Cross, 1966, oil on composition board, 122 x 122 cm, Purchased 1992

Gunter Christmann, Red/Green Cross, 1966, oil on composition board, 122 x 122 cm, Purchased 1992

Call of the Avant-Garde: Constructivism and Australian Art installation view, 2017, Photograph: Christian Capurro

Call of the Avant-Garde: Constructivism and Australian Art installation view, 2017, Photograph: Christian Capurro

George Johnson, Construction With Brown Triangle, 1986, acrylic on canvas, 186 x 140 cm

Courtesy of the artist and Charles Nodrum Gallery

George Johnson, Construction With Brown Triangle, 1986, acrylic on canvas, 186 x 140 cm

Courtesy of the artist and Charles Nodrum Gallery

Call of the Avant-Garde: Constructivism and Australian Art installation view, 2017, Photograph: Christian Capurro

Call of the Avant-Garde: Constructivism and Australian Art installation view, 2017, Photograph: Christian Capurro

Rose Nolan, A Red Constructed Work, 1992-93, synthetic polymer paint, oil paint, cardboard, perspex, tin lid and nylon cord, 84 x 32 x 63 cm, Gift of Rose Nolan 2014

Rose Nolan, A Red Constructed Work, 1992-93, synthetic polymer paint, oil paint, cardboard, perspex, tin lid and nylon cord, 84 x 32 x 63 cm, Gift of Rose Nolan 2014

Call of the Avant-Garde: Constructivism and Australian Art installation view, 2017, Photograph: Christian Capurro

Call of the Avant-Garde: Constructivism and Australian Art installation view, 2017, Photograph: Christian Capurro

Zoe Croggon, Harp no.2, 2015, c-type print, 80 x 72 cm
© the artist

Zoe Croggon, Harp no.2, 2015, c-type print, 80 x 72 cm
© the artist

Call of the Avant-Garde: Constructivism and Australian Art installation view, 2017, Photograph: Christian Capurro

Call of the Avant-Garde: Constructivism and Australian Art installation view, 2017, Photograph: Christian Capurro

IN THE NEWS

Bold, Revolutionary Art Takes Over Heide
Will Cox, Broadsheet Melbourne, 28 July 2017

Call of the Avant-Garde: Constructivism at Heide fuels visions of a new utopia
Kerrie O’Brien, The Age, 4 August 2017

The Art Exhibition vs Art: ‘Brave New World: Australia 1930s’
Rex Butler, MEMO Review, 5 August 2017

Out of the Revolution
Christopher Allen, The Weekend Australian, 12 August 2017

WATCH

Listen

Listen back to our Art Talk with Ben Eltham, held at Heide on Saturday 22 July.

ART TALK WRITING & CONCEPTS: ART IN THE TIME OF TRUMP by Heide MoMA

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